
Musique Digs Weekly Playlist delivers a fresh mix of indie, rock, pop, soul, funk, rap, and more — hand-picked from over 2,000 new tracks each week by DJ Anthony De La Cruz. Discover the best new music without the digging.
Always the Good Stuff, Never the Noise.
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Artist: Aitch
Tune: “RMB (Ring My Bell)”
Manchester’s Aitch flips Anita Ward’s disco immortal into a loose-limbed rap-pop strut, keeping the bell-ringing hook intact while sliding his own grin between the beats. “RMB” is familiar enough to hit instantly and cocky enough to avoid feeling like a museum-piece remake.

Artist: Bebe Rexha
Tune: “$.H.I.T”
Bebe Rexha turns “sugar honey iced tea” into a glossy two-minute kiss-off, serving attitude before the beat has time to cool. “$.H.I.T” is compact, expensive-sounding pop mischief—the kind of track that enters wearing sunglasses and leaves before anybody can ask a follow-up.

Artist: Bebe Rexha
Tune: “Çike Çike”
On “Çike Çike,” Rexha switches gears without lowering the temperature, folding Albanian and English into a DJ Snake-produced club rush. It connects family roots to present-tense dance-floor instinct, proving heritage can arrive with a house pulse and absolutely no obligation to stand still.

Artist: Boogie Rookie
Tune: “First We Take Manhattan”
Boogie Rookie takes Leonard Cohen’s “First We Take Manhattan” straight to the club, dressing its menace in vocoders, technicolor synths and after-dark swagger. The Copenhagen producer calls himself a discoteque rock star; this sly takeover makes the title sound less like a plan and more like a reservation.

Artist: Bye Parula
Tune: “Something Out Of Nothing”
Montreal trio Bye Parula builds “Something Out Of Nothing” from atmosphere, tension and a groove that seems to materialize while you are already inside it. The title track from their 2026 album moves with art-pop patience, letting each strange little texture earn its place before the whole thing blooms.

Artist: Carly Rae Jepsen
Tune: “After All”
Carly Rae Jepsen’s “After All” is a glistening love song written while considering how motherhood changes identity, choice and perspective. The piano-led production keeps expanding around her until the private feeling becomes something communal—the pop equivalent of morning light finding last night’s party.




