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Come Thru Vocals Friday Breaks The Mold With NATHY PELUSO, Bclip, Olof Dreijer & Toya Delazy

Friday goes wonderfully left-field as NATHY PELUSO and Bclip reshape “ÁNGEL,” while Olof Dreijer and Toya Delazy let “Makwande” bloom outside the lines.
Come Thru Vocals daily tracks featuring artists with captivating vocal performances Come Thru Vocals daily tracks featuring artists with captivating vocal performances

COME THRU VOCALS — Daily Vocal Discoveries from INYIM Media

Come Thru Vocals new music discoveries selected by INYIM Media
Come Thru Vocals — a long-running INYIM discovery series spotlighting standout vocal performances since 2009.

Come Thru Vocals is a long-running It’s Not You It’s Me Media series spotlighting standout vocal performances, emerging artists and new songs worth adding to your rotation. Curated by the INYIM music desk, many selections later appear in the Musique Dig’s Weekly Playlist and enter rotation on INYIM Radio.

Friday’s Come Thru Vocals pairs NATHY PELUSO and Bclip’s “ÁNGEL – BCLIP CLUB VERSION” with Olof Dreijer featuring Toya Delazy on “Makwande.” One detonates a Latin club mutation beneath a voice built for theatrical command; the other lets misfit house, elastic percussion and razor-edged bars bloom completely outside the expected lines.


NATHY PELUSO and Bclip ÁNGEL BCLIP CLUB VERSION lyric video still

NATHY PELUSO & Bclip

Tune: ÁNGEL – BCLIP CLUB VERSION

NATHY PELUSO hands “ÁNGEL” to Colombian producer Bclip, who pulls the original into a sweatier, stranger club dimension. Her vocal remains gloriously oversized—purring, commanding and then bursting through the rhythm—while the production ricochets between Latin percussion, merengue-house momentum and twitchy electronic disruption.


Olof Dreijer featuring Toya Delazy Makwande video still

Olof Dreijer ft. Toya Delazy

Tune: Makwande

Olof Dreijer builds “Makwande” like a house track whose walls keep changing position, filling the room with rubbery bass, bright percussion and unexpected rhythmic turns. Toya Delazy attacks the open space with deft bars in Zulu and English, giving this Loud Bloom standout both a mischievous pulse and a fearless vocal center.

Have a track for Come Thru Vocals or Musique Dig’s Weekly Playlist? Submit here for consideration.

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