IM MEN Lets Bamboo Shadows Drift Through Paris Heat
Paris Fashion Week has been nearly impossible to discuss without mentioning the relentless heatwave sweeping across the French capital, but even soaring temperatures could not overshadow one of the week’s most quietly magnetic presentations.
IM MEN, the menswear line inside the Issey Miyake universe, returned with Spring/Summer 2027 and a collection titled In Praise of Bamboo Shadows. It was less about shouting over the season and more about letting movement, air, light, and fabric do the speaking.
Presented on June 25, 2026 at Césure, the cultural venue housed inside a former university campus in Paris’ 5th arrondissement, the collection translated the feeling of bamboo shadows into clothing: soft outlines, overlapping lines, drifting silhouettes, and garments that seemed to exist somewhere between presence and disappearance.
INYIM Style Note
Into the Bamboo Shadows mood? Think airy pleats, paper-light texture, bamboo-green layers, and technical elegance that turns summer heat into movement.
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The season’s visual language pulls from East Asian decorative arts, specifically bamboo motifs encountered at the Musée des Arts Décoratifs in Paris. From misty ink-wash bamboo forests to katazome kimono-dyeing stencils, the references move through the clothes as texture, pattern, shadow, and atmosphere rather than obvious costume.
That restraint is where the magic lands. IM MEN is not chasing spectacle for spectacle’s sake. The collection works in waves: translucent layers, relaxed volume, lifted collars, soft structure, and pieces that change as the body moves through them. In a week full of heat, noise, and fashion traffic, this one felt like a deep breath behind a bamboo screen.
Among the collection’s most beautiful ideas is the way bamboo becomes both material and mood. Bamboo Shadows patterns by graphic designer Rikako Nagashima appear across cloth woven from bamboo fibers and organic cotton, while the wider lineup plays with dyeing, pleating, jacquard texture, denim treatments, and silhouettes that seem built to catch passing light.
There is also a deep Issey Miyake instinct running underneath it all: clothing as design, sensation, and movement at once. The pieces do not just sit on the body. They shift, float, fold, open, and reveal themselves slowly — which is exactly what the title promises.
IM MEN Spring/Summer 2027, Look By Look
A closer look at IM MEN Spring/Summer 2027, In Praise of Bamboo Shadows, from the Paris presentation.















Gallery: IM MEN Spring/Summer 2027, In Praise of Bamboo Shadows. Images courtesy of IM MEN / Issey Miyake Inc. / FY! Magazine.
The calm is not passive. It is engineered. That is the most IM MEN thing about it.
Source note: Collection title, presentation date, Césure venue details, and official concept language via IM MEN / Issey Miyake. Additional collection and image context via FY! Magazine and Design Scene.







