
Musique Digs Weekly Playlist delivers a fresh mix of indie, rock, pop, soul, funk, rap, and more — hand-picked from over 2,000 new tracks each week by DJ Anthony De La Cruz. Discover the best new music without the digging.
Always the Good Stuff, Never the Noise.
Part 650 moves from the carefree vintage-pop bounce of Paul Evans and Peggy Connelly’s smoky jazz phrasing into colorful Latin pop from Play & Movil Project. RAYE appears twice, first with theatrical South London storytelling and then alongside Amma and Absolutely for a joyful family collaboration, before Opus Kink close things out with a wild, horn-powered rush.
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Artist: Paul Evans
Tune: Happy-Go-Lucky-Me
Paul Evans makes Happy-Go-Lucky-Me feel almost weightless, riding its jaunty rhythm with an easy, conversational delivery. Its enduring charm comes from how naturally he sells every bit of the song’s carefree optimism.

Artist: Peggy Connelly
Tune: That Old Black Magic
Peggy Connelly approaches That Old Black Magic with sleek control and a knowing swing. Her crisp phrasing glides across the arrangement, turning the familiar standard into something flirtatious, polished and quietly magnetic.

Artist: Play & Movil Project
Tune: Fabulostik
Play & Movil Project make Fabulostik feel bright, eccentric and proudly larger than life. Its playful vocal attitude and glossy Latin-pop energy make this colorful throwback feel fresh again.

Artist: RAYE
Tune: Beware.. The South London Lover Boy.
RAYE turns Beware.. The South London Lover Boy. into a theatrical character study filled with humor, temptation and danger. Her expressive vocal shifts effortlessly through the song’s jazz-pop drama while warning listeners about an irresistible romantic troublemaker.

Artist: RAYE, Amma & Absolutely
Tune: Joy
RAYE joins sisters Amma and Absolutely for the communal uplift of Joy. Their voices build into warm, gospel-inflected harmonies, turning perseverance and hope into a clap-along declaration made to be sung together.

Artist: Opus Kink
Tune: Come Over, Do Me Wrong
Opus Kink close the playlist with the gloriously unruly Come Over, Do Me Wrong. Swaggering vocals, charging guitars and a blast of brass capture the seductive pull of knowing a relationship is doomed and running toward it anyway.







