Musique Digs Weekly Playlist delivers a fresh mix of indie, rock, pop, soul, funk, rap, and more — hand-picked from over 2,000 new tracks each week by DJ Anthony De La Cruz. Discover the best new music without the digging.
This week’s Musique Digs Weekly Playlist brings together Disco Lines and wes mills featuring Madeline Follin, Dizzy Fae, Dodo Greene, Downtown Boys, El Alfa El Jefe, and Ella Langley. Expect dance-pop glow, alt-pop movement, classic vocal swing, punk urgency, dembow fire, and country-pop ache — always the good stuff, never the noise.
Always the Good Stuff, Never the Noise.
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Artist: Disco Lines & wes mills feat. Madeline Follin
Tune: starlight
Disco Lines and wes mills slide into a glowing dance-pop lane with starlight, featuring Madeline Follin giving the track that airy, late-night sparkle. It is smooth, bright, and ready for the kind of playlist moment where the room starts moving before anyone admits it.
Artist: Dizzy Fae
Tune: Try
Dizzy Fae keeps Try cool, elastic, and emotionally sharp. The vocal floats with that soft-attack confidence she does so well, turning the track into a sleek little pulse of pop-soul tension.
Artist: Dodo Greene
Tune: Is You Is Or Is You Ain’t My Baby
Dodo Greene gives Is You Is Or Is You Ain’t My Baby that old-school vocal electricity: smoky, playful, and full of phrasing that knows exactly when to lean back and when to wink. A classic-pocket pick for the heads who like their vocals with history baked in.
Artist: Downtown Boys
Tune: You’re a Ghost
Downtown Boys bring righteous punk urgency to You’re a Ghost, charging the track with movement, bite, and that beautiful refusal to stay polite. It hits like a protest flyer taped to a dance-floor speaker.
Artist: El Alfa El Jefe
Tune: 96 Al Revés
El Alfa comes through with 96 Al Revés, all bounce, flex, and turbo-charged dembow attitude. It is loud in the right way, fast in the right way, and absolutely allergic to standing still.
Artist: Ella Langley
Tune: I Gotta Quit
Ella Langley closes the batch with I Gotta Quit, a country-pop confession that knows the difference between leaving and almost leaving. The vocal sits right in that sweet spot: tough enough to mean it, tender enough to let the ache show.
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