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Sebastian Sauve, Jacob Coupe, and Thomas Hoefnagels in The Faculty editorial for Fiasco Magazine photographed by Aline and Jacqueline Tappia Sebastian Sauve, Jacob Coupe, and Thomas Hoefnagels in The Faculty editorial for Fiasco Magazine photographed by Aline and Jacqueline Tappia

Fiasco Magazine’s The Faculty Features Sebastian Sauve, Jacob Coupe & Thomas Hoefnagels

Fiasco Magazine’s Black & White issue features Sebastian Sauve, Jacob Coupe, and Thomas Hoefnagels in The Faculty, photographed by Aline and Jacqueline Tappia.

Schoolroom Sharpness Gets a Black-and-White Fashion Twist

Sebastian Sauve, Jacob Coupe, and Thomas Hoefnagels in The Faculty editorial for Fiasco Magazine photographed by Aline and Jacqueline Tappia
Image Credit: Aline & Jacqueline Tappia / Fiasco Magazine

Fiasco Magazine brings a crisp black-and-white mood to The Faculty, an editorial from the magazine’s Black & White issue featuring Sebastian Sauve, Jacob Coupe, and Thomas Hoefnagels.

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Fiasco turns the school-uniform idea into a sharp model study.

The Faculty keeps the mood clean, graphic, and image-led, with Sebastian Sauve, Jacob Coupe, and Thomas Hoefnagels working a polished black-and-white editorial charge.

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Photographed by Aline & Jacqueline Tappia and styled by Peter Cardona, the story plays with the title’s academic suggestion without turning it into costume. The styling leans into buttoned-up shirts, tailored layers, narrow proportions, clean collars, and controlled black-and-white contrast, giving the editorial a disciplined but quietly charged menswear mood.

Sebastian Sauve brings his usual camera command to the frame, balancing moody restraint with a sharp editorial stare. Alongside Jacob Coupe and Thomas Hoefnagels, the story works best as a group study: three faces, one strict visual language, and a fashion direction built around structure, youth, and controlled attitude.

The black-and-white treatment keeps the focus on shape, expression, texture, and styling. Instead of loud color or heavy set design, The Faculty lets the clothes and faces do the work — collars, jackets, neat layers, and schoolroom polish pushed into a cleaner fashion-magazine space.

It is exactly the kind of editorial where the details matter: the posture, the gaze, the clean contrast, the slightly severe styling, and the way each model holds the frame without overcrowding it.

Sebastian Sauve, Jacob Coupe and Thomas Hoefnagels in Fiasco Magazine’s The Faculty

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