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Jean Mauvais photographed by Matias Indjic for The Bad and the Good editorial Jean Mauvais photographed by Matias Indjic for The Bad and the Good editorial

Jean Mauvais by Matias Indjic in the Bad and the Good

Jean Mauvais of Major Paris endures the bad, the good and everything in between in a moody fashion editorial photographed by Matias Indjic.

Jean Mauvais Faces the Bad and the Good

Jean Mauvais photographed by Matias Indjic for The Bad and the Good editorial
Jean Mauvais, a fresh face from Major Paris, photographed by Matias Indjic for The Bad and the Good.

Dig out Jean Mauvais, a fresh face from Major Paris, enduring the bad, the good and everything in between through the lens of Paris-based photographer Matias Indjic.

The editorial, titled The Bad and the Good, keeps its mood shifting from image to image. Mauvais moves through a set of quiet, character-led portraits while an eclectic wardrobe by Christofolies stretches the styling into different emotional directions.

Hair by Tsume Tomohiro adds another layer to the shoot, giving the series a slightly undone editorial finish that keeps the portraits feeling direct, personal and full of character.

The Bad and the Good.

Revisit the original editorial and shop pieces inspired by its eclectic wardrobe and undone hair mood.

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The contrast is the hook: soft but uneasy, styled but not overworked, clean but with enough friction to make each portrait feel like it is moving through a different mood.

A little bad, a little good and fully dialed into that moody fresh-face fashion energy.

Step inside Jean Mauvais’ editorial story.

See more from The Bad and the Good, featuring Jean Mauvais photographed by Matias Indjic with wardrobe by Christofolies and hair by Tsume Tomohiro.

Source/update note: The Fashionisto’s original Jean Mauvais by Matias Indjic in the Bad and the Good editorial provided the model, agency, photographer, wardrobe and hair credits. This post has been lightly enriched for formatting, source clarity and archive presentation while keeping the original editorial context intact.

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