Musique Digs Weekly Playlist delivers a fresh mix of indie, rock, pop, soul, funk, rap, and more — hand-picked from over 2,000 new tracks each week by DJ Anthony De La Cruz. Discover the best new music without the digging.
Always the Good Stuff, Never the Noise.
Musique Digs Part 651 lines up six new songs worth keeping close this week. Rio Tashan and Kosmo Kint open with sleek movement, Robber Robber bring fuzzy indie tension, Rochelle Jordan glides through future-R&B atmosphere, Rose Rey pours a stylish “Dirty Martini,” Sayuri & Sopholov join Fuentes Prod and Young Mafia for Latin attitude, and Sexyy Red shuts it down with pure presence.
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Artist: Rio Tashan & Kosmo Kint
Tune: Expressions
Rio Tashan and Kosmo Kint open Part 651 with “Expressions,” a sleek groove that moves with late-night ease. The vocal sits inside the rhythm with a smooth, magnetic calm, giving the track a polished pulse without sanding down its feeling.
Artist: Robber Robber
Tune: New Year’s Eve
Robber Robber bring a frayed little spark to “New Year’s Eve.” It has the after-party mood we love: guitars slightly smudged, vocals leaning into the haze and a pulse that feels like glitter stuck to the floor at 2 a.m.
Artist: Rochelle Jordan
Tune: Crave
Rochelle Jordan glides through “Crave” with the kind of restraint that makes everything hit harder. The production is smooth and magnetic, but the real pull is her vocal control — soft, focused and completely locked into the atmosphere.
Artist: Rose Rey
Tune: Dirty Martini
Rose Rey pours “Dirty Martini” with gloss, bite and a wink under the glass. It is stylish without feeling overworked, giving the week a playful pop jolt dressed up with just enough trouble.
Artist: Sayuri & Sopholov, Fuentes Prod & Young Mafia
Tune: Nenas Mafiosas
Sayuri & Sopholov, Fuentes Prod and Young Mafia bring the flash on “Nenas Mafiosas.” The track is built for movement, but its personality does the heavy lifting: bold, glossy and ready for the late-night lane.
Artist: Sexyy Red
Tune: All Da Hoes
Sexyy Red closes Part 651 with “All Da Hoes,” keeping the delivery blunt, repetitive and fully in control. It is not trying to soften its edges, and that is exactly why it lands.
