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Peaches in her new electro‑punk era in the visual “No Lube So Rude” Peaches in her new electro‑punk era in the visual “No Lube So Rude”

Vid‑Visuals Of The Day: Peaches Enters a New Era With “No Lube So Rude”

Peaches unleashes a bold new era with “No Lube So Rude,” a raw, electro‑punk visual directed by Matt Lambert and filmed at Queer Wagen Collective.
Peaches unveils her new era with the raw, provocative visual “No Lube So Rude,” directed by Matt Lambert.
Peaches \ YouTube

Today’s Vid‑Visuals Of The Day stars none other than the incomparable queen of electro‑punk dance herself — Peaches, and baby, she is deep into a brand‑new era. Raw. Confrontational. Hyper‑charged. Unapologetically Peaches.

Her latest official aesthetic drop, “No Lube So Rude,” is a full‑bodied, art‑punk provocation — a visual manifesto that pushes boundaries the way only Peaches can. This isn’t just a music video; it’s a cinematic confrontation with desire, identity, and the politics of the body. It’s sweaty, gritty, queer, and defiantly alive.

Presented by ERIKA LUST, the film is directed by Matt Lambert, whose lens has long championed queer intimacy, underground culture, and the beauty of bodies in motion. Shot on location at Queer Wagen Collective, the piece feels like a living, breathing organism — a space where performance, protest, and pleasure collide.

The cast is a powerhouse lineup of queer performers and underground icons, each bringing their own energy to the visual riot:

  • Tigress
  • Mad Kate
  • Valerian Steel
  • Hotboiyo
  • Papi Pistola
  • Joao Dorey
  • Bleach
  • Dita Rita Scholl

Together, they form a kinetic ensemble that transforms the screen into a pulsing, communal ritual. Bodies twist, collide, reclaim, and celebrate. It’s messy in the most intentional way — a reminder that Peaches has always been a disruptor, a liberator, and a provocateur.

Produced by Object & Animal and Iconoclast Germany, the film carries that unmistakable high‑art, high‑impact production edge. Every frame feels curated yet chaotic, polished yet primal. It’s Peaches doing what she does best: breaking rules, bending genres, and inviting everyone to step into the wild with her.

“No Lube So Rude” isn’t just a new chapter — it’s a declaration. Peaches is not done evolving. She’s not done provoking. She’s not done shaking the table. And thank goodness for that.

Sound off below — what do you think of Peaches’ new electro‑punk era?

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