“The World we live in: Part II” begins in the series of articles with the same name, published in Life Magazine during the 1950s. These images of nature are obviously explored in the prints, but they expand in the incorporation of Madeira embroidery and the influences of the Brazilian Tropicália movement. At the same time that the poetry of Caetano Veloso’s voice-packs in, Constança Entrudo confronts us with reflections of sustainable regeneration, in a collection of details that elevates the aesthetics of textile manipulation and upcycling to new worlds."
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