Video Premiere Woodkid - The Golden Age ft. Composer Max Richter



Director Yoann Lemoine and his music project Woodkid have returned with a fourth and final single off his superb album with the titled single The Golden Age. The video gives us further insight to his previous fantasy set videos showing a young Yoann (presumably as the album is autobiographical) with his mother reading the books that would set his mind forward to what would become the villans and creatures in his previous adventerous stories.



The Golden Age is the last single and video for my first album. Throughout the process of directing videos for this story, I slowly removed all digital and post-production layers of my work to finally create this piece. It is somehow a postcard from my childhood, with memories and emotions from the countryside assembled together in a long, free, mellow piece. It's about the child trapped inside, the haunting memories, the beautiful and the dark ones.

I wanted the camera work and acting direction to be very organic and carnal, in opposition to the digital, rigid and super-composed aspects of the previous videos. That's why we decided to shoot everything handheld, without any mechanical movement and with no post-production. In that way, I would say this video is very different from the other ones. It all started when I bought an original print by my favorite photographer, William Gedney, friend and contemporary of Lee and Maria Friedlander, who shot families in rural America in the sixties. I decided that this piece would pay tribute to the beauty of his work and the way he shoots boys and men in their environment, to the sensuality of his eye, which describes so well what I felt for other boys when I was younger.

In order to extend the song and create the right mood for this piece, I collaborated with composer Max Richter. He extended and re-recorded his piece ‘Embers’ to adapt it to the pace and tonality of ‘The Golden Age.’ Together, we created this very free ‘hybrid’ edit of the track, which tells so much about the pace of never ending childhood summers. In a way, this piece is a final goodbye to four years of work and tour for this album. -Woodkid





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